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It topped the charts in several territories, spending ten consecutive weeks at number one on the UK Singles Chart and seven at number one on the Billboard Hot 100. The album debuted at number two on the Billboard 200, selling 162,000 copies in its first week. Regarded as a turning point in her career, it marked a shift from the Caribbean-influenced sound of her earlier work, embracing a more contemporary pop direction driven by uptempo dance tracks. It became her first RIAA-certified double platinum album, surpassing one million units sold. Soon after releasing Music of the Sun, Rihanna began working on her second studio album in September 2005.
Swift opted to lean more into radio-friendly hits, which resulted in songs like “Style,” “Wildest Dreams,” “Blank Space,” and “Shake It Off,” all of which became singles. Often mentioned as a record that inspired a generation of artists from Troye Sivan to Conan Gray, Swift’s confessional, soul-bearing authenticity set a new standard for straightforward pop music. Much like her previous two albums, Swift included songs that were both inspired by her own life and being a fly on the wall. During her NYU commencement speech in 2022, she reflected on this era of her life as one of intense fear that she could make a mistake and face lasting consequences, so the songs were masked in metaphors rather than directly addressing adult themes in her music. Serving as a snapshot of Swift’s life and teenhood, she avoided songwriting stereotypes typically found in country music.
As Swift revealed on May 30, she bought back the master recordings of her first six albums, marking the first time she’s been in control of her entire discography. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. Midnights helped further solidify Swift’s larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift’s 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).
She scored another No. 1 hit with the single “Rude Boy,” while the tracks “Hard” and “Russian Roulette” landed squarely in the top 10. Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide. Her lead single “Umbrella,” featuring Jay-Z, lead the Billboard Hot 100 for a whopping seven weeks and later won the Grammy Award for Best Rap/Sung Collaboration in 2008. Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
“And, baby, that’s show business for you,” Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.
Rihanna has received multiple Grammy Award nominations for her albums, winning Best Urban Contemporary Album for Unapologetic in 2014. Two years later, she nearly doubled this feat, producing a whopping five No. 1 hits in 2010, including “Love The Way You Lie” with Eminem, “Rude Boy,” “S&M,” the Grammy-winning “Only Girl (In The World),” and “What’s My Name” featuring Drake. Known for her sexually provocative imagery and wild style, Rihanna made headlines for the sheer dress she wore to the Council of Fashion Designers of America (CFDA) awards ceremony in June 2014. On her Grammy-winning 2012 album Unapologetic, Rihanna turned out such hits as the No. 1 Sia-written tune “Diamonds” and “Stay,” featuring Mikky Ekko.
She recalled performing Carey’s 1993 song “Hero” at her high school talent show. Rihanna praised Madonna’s ability to change her fashion and music repeatedly, while remaining a “real force in entertainment”. On Talk That Talk (2011), Rihanna expanded on her dance-pop style while adopting a more overtly sexual persona and incorporating elements of R&B, hip-hop, dancehall, and dubstep. Aiming for artistic growth, A Girl Like Me expresses personal experiences that typical young adult women undergo, with ballads that were described as elegant and mature. Rihanna’s early dancehall roots are evident on her first two albums, Music of the Sun (2005) and A Girl Like Me (2006). In Barbados, Rihanna drew early inspiration from reggae, soca, and hip-hop, and after relocating to the US, she was introduced to a wider variety of genres, including rock.
Lead single “We Found Love” is undeniably the biggest hit to stem from the Talk That Talk era, spending 10 consecutive weeks atop the Hot 100. Her longing continues in “Where Have You Been,” which flaunts Rihanna’s versatility, flipping Geoff Mack’s 1959 country song “I’ve Been Everywhere” into an infectious EDM banger. It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry. Her involvement in these projects demonstrated her ability to transition from pop music icon to a prominent figure in film. Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide. At the age of 15, she formed a girl group with school friends, which paved the way for her discovery by music producer Evan Rogers. With her distinct voice, groundbreaking style, and philanthropic contributions, Rihanna continues to leave an indelible mark on both the music industry and popular culture. Transitioning from a teen pop sensation to a mature artist, Rihanna’s work reflects her evolving artistic vision.
And Eminem that appeared on albums of theirs; many felt her vocals on the latter’s “Love the Way You Lie” (2010) lent resonance to the song’s depiction of an abusive relationship. With the assistance of such high-profile collaborators as Timbaland and Justin Timberlake, she abandoned the tropical rhythms that had adorned her first two albums and recorded a collection of sleek R&B that presented her as a fiercely independent and rebellious woman. He helped Fenty record a demo that led to an audition with the rapper Jay-Z, who at the time headed the Def Jam record label, and he soon signed the budding vocalist. Rihanna exclusively uses her surname for ventures outside of music to keep her business and artistic identities separate. In November 2015, Rihanna partnered with Benoit Demouy to launch Fr8me, a Los Angeles-based beauty and stylist agency supporting artists with commercial bookings, photo shoots, campaigns, and red-carpet appearances. In March 2015, Rihanna was announced as a co-owner of the music streaming platform Tidal, alongside several other artists.
In 2015, Rihanna became the first artist in history to have 100 million singles digitally downloaded and streamed. Interestingly, Unapologetic was the first Rihanna album to hit No. 1 on the pop charts. “Umbrella” topped the Billboard singles chart and earned Rihanna her first Grammy Award for Best Rap/Sung Collaboration. In 2007, Rihanna effected a transformation from teen pop princess to superstar and sex symbol with her third album, Good Girl Gone Bad, fueled by its smash hit lead single “Umbrella,” featuring Jay-Z. In early 2011 the album’s sexually provocative single “S&M” became her 10th number one Billboard hit—which made her, at age 23, the youngest artist ever to reach that milestone.
Swift still remained in the pop lane with reputation, largely leaning on Antonoff and the Martin/Shellback team. She stayed away from public appearances, betista casino didn’t do any press, and missed the album schedule fans became accustomed to. For years, Swift was on a strict two-year cycle — she’d release an album one year, tour the next, and then release a new album the following year. In turn, Billie Eilish, Dua Lipa and more pop stars have refused to conform or stick to what they’ve done prior.
She didn’t want to be just “another girl singer” and knew writing her own songs would be what set her apart. Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. A once-in-a-lifetime generational storyteller, one could argue that she is music’s modern-day maverick, constantly evolving both her music and the culture around her. Sadly not a tribute to the classic ’60s sitcom starring Elizabeth Montgomery, Bewitched is instead a self-described “love album” that helped Laufey surpass Björk and Sigur Ros as Iceland’s most streamed artist.
And yet, she has still come out the other side, sparkling, self-assured and ready to revel in a career built on resilience and reinvention — something only a true showgirl could achieve. When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has. What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.
It’s a highlight on The Life of a Showgirl as it’s a testament that, regardless of how much time has passed or the fame that Swift has achieved, she still looks back on those who changed her life early on. Swift doesn’t want you to get it twisted, though — this is an album about the life of a showgirl, not an album about being a performer. She’s no longer anxious in love (“Eldest Daughter,” “Honey”) and for the first time, she owns all of her work and is in complete artistic control (“Father Figure”).
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
Nancy was largely unaware of its popularity as a hip-hop sample, and didn’t receive royalties for the tune (itself owned by producer Winston Riley, who died in 2012). She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text. It’s been used in film and television, including prominently in 1998’s Nas- and DMX-featuring Belly. Multiple sources consider it the most sampled reggae song ever (WhoSampled.com counts 155 samples), with Beyoncé, Madlib, Run D.M.C., Lauryn Hill, Chris Brown, Alicia Keys, Ariana Grande, and Buju Banton and many others pulling from Nancy’s crisses lyrics. Sister Nancy wouldn’t perform the song on a Jamaican stage for eight years, until she featured at 1990’s Sting competition. “I went with Yellowman to Harry J’s Studio. Yellowman did a ‘Bam Bam,’, and I had to finish my One, Two album, and I just said I am going to do a tune like Yellowman did. And I did ‘Bam Bam,’ my way,” Nancy recalls.
This initial success paved the way for her subsequent albums and chart-topping singles, solidifying her status as a pop powerhouse. Just months later, Rihanna released her first single, “Pon de Replay,” which quickly climbed the charts and established her as a formidable newcomer in pop music. The pop star has an impressive 64 songs on the Billboard Hot 100 chart, including 14 No. 1 hits and 32 tracks in the top 10.